By: Rachel Hochhauser
Location: FIC HOC
Genre: Fantasy
**Lady Tremaine has stolen the hearts of readers everywhere!**
Everyone said she was wicked.
Now Cinderella's stepmother tells her own story...
After the death of her second husband, Lady Etheldreda Verity Isolde Tremaine Bramley is solely responsible for her two daughters, Rosamund and Mathilde, her simpering stepdaughter Elin, a razor-taloned peregrine falcon, and a crumbling manor buried in the woods.
When a royal ball offers the chance to change their fortunes, Ethel risks her pride in pursuit of an invitation for all three of girls - only for her hopes to be fulfilled by the wrong Elin.
Yet as her stepdaughter's engagement to the future king unfolds, Ethel discovers a sordid secret hidden in the depths of the royal family, forcing her to choose between the security she craves and the feckless stepdaughter who has rebuffed her at every turn...
Bridgerton meets Circe in this breathtaking reimagining of one of the world's most iconic fairytales, Cinderella.
A great review from Nilufer
Every so often, a book takes a story you think you know by heart and cracks it wide open, revealing something unexpected, raw, and breathtakingly human. Lady Tremaine does exactly that. Forget the wicked stepmother trope — this reimagining dares to ask us to see Etheldreda Tremaine not as a villain, but as a woman clawing for dignity, stability, and hope in a society that would rather watch her crumble.
Twice widowed, trapped in a decaying manor, and responsible for two daughters with no marriage prospects, Ethel fights like a cornered lioness. Add in a polished yet frustrating stepdaughter and a falcon perched ominously at her side, and you have a heroine unlike any I’ve encountered in a fairy tale retelling. She is flawed and prideful, sometimes sharp enough to wound, but every action, every sacrifice, is driven by the desperate need to secure her children’s futures. Watching her maneuver for invitations to the royal ball, only to see her plans unravel in dangerous and unexpected ways, had me glued to the page.
What elevates this story beyond a simple “twist on Cinderella” is its emotional core. This is not about glass slippers or magical transformations — it’s about motherhood in its rawest form. The sacrifices made in silence, the constant worry that keeps you awake at night, the small acts of love that never make it into fairy tales. Through Ethel’s narration, we feel the ache of compromise, the sting of failure, and the ferocity of a woman who refuses to stop fighting for her daughters, even when the world insists on labeling her cruel.
The writing is stunning — lyrical yet razor-sharp, rich with atmosphere and brimming with lines that linger in your mind. The world feels both familiar and startlingly fresh: a royal family with secrets festering behind its golden façade, a crumbling estate heavy with dust and desperation, and women who refuse to fade quietly into the margins of history. Even Elin, the Cinderella figure, is reframed not as an angelic victim but as a complicated young woman whose choices and flaws challenge both Ethel and the reader to reassess everything we thought we knew.
This retelling is a feast for fans of gothic drama, historical realism, and morally complex characters. It’s not about villains and heroes — it’s about survival, sacrifice, and the messy, complicated truths of love. By the end, I didn’t just sympathize with Lady Tremaine; I admired her resilience, her courage, and her unwavering devotion to her daughters.